anti-novels
|an-ti-no-vels|
🇺🇸
/ˌæn.tiˈnɑvəlz/
🇬🇧
/ˌæn.tiˈnɒvəlz/
(anti-novel)
against novel conventions
Etymology
'anti-novel' is a compound formed from the prefix 'anti-' (from Greek 'antí', meaning 'against, opposed to') and 'novel' (from English 'novel', ultimately from Italian 'novella' and Latin 'novellus', meaning 'new').
'novel' evolved from Latin 'novellus' ('new, young') to Italian 'novella' (a short story or news) and then to English 'novel' meaning a long fictional prose narrative; the prefix 'anti-' comes from Greek 'antí' via Latin and French usage. The compound 'anti-novel' emerged in the 20th century to name works opposing conventional novel forms.
Initially, 'novel' related to the idea of 'newness' and later came to mean a long fictional narrative; 'anti-novel' originally meant a work 'against' the established novel and has come to denote various experimental, non-traditional narrative practices.
Meanings by Part of Speech
Noun 1
plural of 'anti-novel': experimental or avant-garde works that deliberately reject conventional novelistic elements (such as coherent plot, linear chronology, fixed character psychology, or realist narration).
Many 20th-century writers experimented with anti-novels to challenge readers' expectations.
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Noun 2
a label for a modern/modernist movement or category of writing emphasizing fragmentation, self-reflexivity, or anti-mimetic techniques rather than conventional storytelling.
Critics grouped certain works by Beckett and Robbe-Grillet under the term anti-novels.
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Last updated: 2025/11/09 19:21
